6.0 波兰语 · 1973 · 波兰 · 剧情片 

扬·诺维茨基,塔德乌什·孔德拉特,伊雷娜·奥斯卡,哈利娜·科瓦尔斯卡,格斯塔·霍洛贝克,Mieczyslaw,Voit,博泽娜·阿达梅克,卢德维克·伯努瓦,Henryk,Boukolowski,Seweryn,Dalecki,Julian,Jabczynski,Jerzy,Przybylski,维克托·萨德茨基,Janina,Sokolowska,Wojciech,Standello,塔德乌斯·施

哈斯的彩色电影，《萨拉戈萨手稿》的姊妹篇，个人觉得他的风格更适合彩色，此片要比《萨》更为出色。这是一次内心的历险。故事背景设在二战前期，一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩，以及他的父母所包围... 获奖：波兰电影奖最佳产品设计奖 戛纳电影节评审团奖并提名金棕榈

7.0 波兰语 · 1973 · 波兰 · 剧情片 

马雷克·瓦尔切夫斯基,伊萨贝拉·奥斯则瓦斯卡,埃娃·津泰克,达尼尔·奥勒布里斯基,埃米莉娅·克拉科夫斯卡,米奇斯瓦夫·斯托尔,卡齐米日·奥帕林斯基,HenrykBorowski,MarekPerepeczko,JanuszBukowski,安杰伊·瓦皮茨基,沃捷希奇·帕斯佐尼亚克,AndrzejSzczepkowski,MieczyslawCzechowicz,芭芭拉·弗热辛斯卡

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

6.0 其它 · 1973 · 其它 · 剧情片 

马雷克·瓦尔切夫斯基,伊萨贝拉·奥斯则瓦斯卡,埃娃·津泰克,达尼尔·奥勒布里斯基,埃米莉娅·克拉科夫斯卡,米奇斯瓦夫·斯托尔,卡齐米日·奥帕林斯基,Henryk Borowski,Marek Perepeczko,Janusz Bukowski,安杰伊·瓦皮茨基,沃捷希奇·帕斯佐尼亚克,Andrzej Szczepkowski,Mieczyslaw Czechowicz,芭芭拉·弗热辛斯卡

　　Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

8.0 其它 · 1971 · 其它 · 喜剧片 

Kazimierz Witkiewicz,Zygmunt Apostol,博古谢·比莱夫斯基,Mieczyslaw Czechowicz,Andrzej Gawronski,Andrzej Herder

　　Polish comedy of 1971, the species 'crazy'. In a September, the Monday (and exactly 15 September), a group of residents and visitors struggling with adversity. Despite the light of criticism of Polish reality, expressed in a typical director Tadeusz Chmielewski surreal way, the movie is laurką for Warsaw, full of optimism, nicely showing her beautiful places.