10.0 其它 · 1972 · 其它 · 影视解说 

Anita Ekberg,Rosalba Neri,Evelyne Kraft,Howard Vernon,Pietro Martellanza,Barbara Bouchet,Robert Sacchi,Eva Astor

　　Formerly, the usual UK title was THE BOGEY MAN AND THE FRENCH MURDERS. There's also a Greek video with the sleeve title, CALL GIRLS FOR INSPECTOR BOGART. The inspector is not named Bogart, nor does he get any call girls, but who cares? It's a title that sells.　　There's a killer in Paris, a suicide from the Eiffel Tower, a brothel as the main setting, insane professors, an eye-ball thief, an inspector who looks like Humphrey Bogart (for no apparent reason), a truly creepy Anita Ekberg, and an impressive line-up of Euro-stars. How Dick Randall assembled this cast is beyond me, but he did it. Besides Anita Ekberg, there's Rosalba Neri (who even sings a song in a nightclub), Barbara Bouchet, Evelyn Kraft, Howard Vernon, and Robert Sacchi as inspector Pontaine or Humphrey Bogart. The title is pretty accurate. The murders take place during, before or after sex in a brothel in Paris. In between, the Bogey-man snoops around trying to track down the killer, but he is not too bright. You'll probably have figured it out long before he does.　　The film's producer was American Dick Randall who took residence in Rome in the '60s but basically was wherever the deals where made, which meant Rome in the '60s, Bangkok and Hong Kong in the '70s and London in the '80s. Whilst residing in Italy, he payed close attention and decided to take a shot at the giallo as well, and produced this piece of cinematic soufflé. It's a perfect example of totally round the bend Euro-tosh, with a rather tame execution actually. The direction is not wildly imaginative, a workman's job at best, so don't expect outrageous Italian craftsmanship and style here, but some spicing-up in the editing by Bruno Mattei.　　The special effects were done by future Oscar-winner Carlo Rambaldi of ET fame. I guess he learned a lot since this one. Of course, the presence of Robert Sacchi, among some other ingredients (mostly the cast) give this film a certain weird identity of its own. All together, it's pretty much a poor man's interpretation of an Italian Giallo.　　The version on Mondo Macabro's DVD never existed in this form. From various copies, they assembled the longest version they could possibly paste together. There's an English audio-track, but a couple of scenes appear in Italian with subtitles.　　imdb comment

7.0 其它 · 2018 · 其它 · 午夜片 

Luigi Fedele,Fabrizia Sacchi,Milutin Dapcevic

　　Giulio, a teenage boy lives with his father. He is in love with his mother, Agnese because her hands were the first to welcome him. He reminds the last weekend they spent together. She takes care but doesn't love, she's lost in her thoughts and doesn't let anyone get closer, not even him. Two days to understand each other, two days to love each other, and to leave in the end. At her funeral, he steals the hearse and drives away.

6.0 其它 · 1980 · 其它 · 喜剧片 

马塞洛·马斯楚安尼,安娜·普鲁克瑙,伯娜丝·斯戴杰斯,约莱·西尔瓦尼,多娜泰拉·达米亚妮,埃托雷·曼尼,Fiammetta Baralla,海伦·卡泽热丽,Catherine Carrel,Marcello Di Falco,Silvana Fusacchia,加布里埃拉·乔尔杰利,多米尼克·拉布里埃,Stéphane Emilfork,Sylvie Matton,Alessandra Panel

　　人到中年，纳珀拉斯（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）开始体会到了人生的无奈和命运的无常。一日，在一列火车上，纳珀拉斯遇见了一个长相美艳的女子，他深深的为女子的美艳所着迷，女子似乎也对纳珀拉斯颇为中意，正在两人情意绵绵之时，女子却突然走下了停止的火车，惊讶的纳珀拉斯尾随其后。　　追随着女子的脚步，纳珀拉斯来到了一家大饭店，走进饭店，展现在纳珀拉斯面前的是一个名符其实的“女人城”。在这座女人城里，纳珀拉斯经历了一番充满了痛苦的奇异旅程，在质疑、拷问和折磨之间，纳珀拉斯早已经无法分辨，这里的一切究竟是梦境还是现实。

6.0 意大利语 · 1980 · 意大利,法国 · 剧情片 

马塞洛·马斯楚安尼,安娜·普鲁克瑙,伯娜丝·斯戴杰斯,约莱·西尔瓦尼,多娜泰拉·达米亚妮,埃托雷·曼尼,Fiammetta,Baralla,海伦·卡泽热丽,Catherine,Carrel,Marcello,Di,Falco,Silvana,Fusacchia,加布里埃拉·乔尔杰利,多米尼克·拉布里埃,Stéphane,Emilfork,Sylvie,Matton,Alessandra,Panel

人到中年，纳珀拉斯（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）开始体会到了人生的无奈和命运的无常。一日，在一列火车上，纳珀拉斯遇见了一个长相美艳的女子，他深深的为女子的美艳所着迷，女子似乎也对纳珀拉斯颇为中意，正在两人情意绵绵之时，女子却突然走下了停止的火车，惊讶的纳珀拉斯尾随其后。 　　追随着女子的脚步，纳珀拉斯来到了一家大饭店，走进饭店，展现在纳珀拉斯面前的是一个名符其实的“女人城”。在这座女人城里，纳珀拉斯经历了一番充满了痛苦的奇异旅程，在质疑、拷问和折磨之间，纳珀拉斯早已经无法分辨，这里的一切究竟是梦境还是现实。

9.0 意大利语 · 2018 · 意大利 · 午夜片 

Luigi,Fedele,Fabrizia,Sacchi,Milutin,Dapcevic

Giulio, a teenage boy lives with his father. He is in love with his mother, Agnese because her hands were the first to welcome him. He reminds the last weekend they spent together. She takes care but doesn't love, she's lost in her thoughts and doesn't let anyone get closer, not even him. Two days to understand each other, two days to love each other, and to leave in the end. At her funeral, he steals the hearse and drives away.